David Cass: an extremely talented and exciting young artist, currently studying painting at Art College in Edinburgh. He works in oils and mixed media often on a very large scale. His current paintings are based on landscape.

'Scrape' by David Cass.

Tom Fuggle: through a process of masking and dissolving strong and subtle colour layers, Tom creates paintings that have both dynamic violence and featherlike delicacy. The images suggest references to nature: floating marine flora, aerial maps of delta plains or instances of fire.

'VB 11' by Tom Fuggle.

Emma Waine: Emma says of her work “Painting is a journey. Every time I go to a new environment I record shape, form, pattern and emotions experienced. I can then produce a ‘visual map’ of my encounters. As the piece develops a cast of characters, objects and settings evolve. I build these up into deeply layered and complex scenes. I often use collage, layering a variety of different papers (many found on my journeys) with media such as acrylic, gouache, ink, oil pastel and oil paint. Scraping into the picture surface reveals hints of what went before.”

'Antibodies Fighting Delhi Belly' by Emma Waine.

Lucyanna McLaughlin (sculptor): A recent graduate of Fine Art from the University of Dundee, Lucyanna is interested in exploring the human form through sculpture. She says of her recent work “I began carving whole body sculptures from plaster and later progressed on to stone carving and completed a small stone sculpture ‘hide away’. I became interested in ancient Greek and Roman sculptures where limbs have been destroyed, removed or lost over time, such as the “Aphrodite of Milos” also known as the “Venus de Milo”. I then began to create sculptures depicting parts of the female body which is the continuing direction of my current practice.”

'Torso' by Lucyanna McLaughlin.

Ainslie Roddick: Ainslie says of her work: “My work explores everyday visual experience. I paint generic domestic objects and scenes in an attempt to delve in to the significance of the painted image, manipulation, arrangement and disorder. I’m interested in the various connotations of banal objects and the intimacy and power of banality; how a common object or scene, when painted, can become laced with ambiguities and narrative. Immersing my practice in domesticity and the everyday allows me to explore the absurdity of human nature.”

'Shoes, Bed' by Ainslie Roddick.